Journal of the stylistic of Persian poem and prose
volume Number 17، number In Volume 3، June 2024 ، issue Number 97

Rhetorical analysis of Tayyabat Saadi's based on outside and side music

Ashna Jalal Rafigh , Maryam Salahshoor (Author in Charge), Ayyob Koshan

Abstract

BACKGROUND AND OBJECTIVES: The musical element is one of the important factors of beauty in classical poetry. Side and external music is one of the important elements of musical elements. And the poet can contribute to the beauty of his poetry with his skill and timely use of these two elements. Outer and side music appears in weight, rhyme and row respectively.

METHODOLOGY: In this research, using the method of gathering information (library), evidence, appropriate samples related to musical elements were collected and analyzed based on the descriptive-analytical method. It should be noted that the version that is the basis of this research is the version of Saadi"s Ghazliat edited by Mohammad Ali Foroughi published in 1995.

FINDINGS: Saadi"s poetry is famous for its simplicity and musical qualities. He has used widely used and common verbs such as ramel, mujtath and subjunctive. Saadi has also used the brook weights, which have a quiet and gentle resonance with a high frequency compared to the curved weights. In the analysis of Kanari"s music, he is more inclined to write poems without rows, and in his Mirdaf sonnets, current rows have a higher frequency. All kinds of rhyming defects in his rhymed poems are also noticeable.

CONCLUSION: Saadi"s poetry can be classified as balanced poetry due to the appropriate use of musical elements.

Keyword
Saadi's poetry can be classified as balanced poems due to th

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